Slovak Cinema at the Marché du Film Online 2020

  Slovak Films 19-20 (catalogue)

REPORT ON THE SLOVAK AUDIOVISUAL SITUATION IN 2019

Slovak Animated Film 2017 - 2022

Film.sk (Special English edition) 

Online Database of Upcoming Slovak Films  

REPRESENTATIVES OF THE SLOVAK FILM INSTITUTE AT THE MARKET:

>Rastislav Steranka, rastislav.steranka@sfu.sk
>Kristína Aschenbrennerová, kristina.aschenbrennerova@sfu.sk
>Tomáš Hudák, tomas.hudak@sfu.sk

HAF Goes to Cannes Thanks to the nomination by Hong Kong - Asia Film Financing Forum (HAF), upcoming documentary Olympic Halftime will be presented at the 8th edition of Goes to Cannes.

Market Screenings Market screening of Slovak films at Marché du Film Online: Charlatan (d. Agnieszka Holland), Cook, F**k, Kill (d. Mira Fornay), Let There Be Light (d. Marko Škop), Summer Rebels (d. Martina Saková), Servants (d. Ivan Ostrochovský), The Auschwitz Report (d. Peter Bebjak), Scumbag (d. Mariana Čengel Solčanská, Rudolf Biermann), Caught in the Net (d. Vít Klusák, Barbora Chalupová), The Glass Room (d. Julius Ševčík) and The Prague Orgy (d. Irena Pavlásková).

SLOVAK FILM INSTITUTE AT THE MARCHÉ DU FILM ONLINE

For the 17th time, the Slovak Film Institute is present at the Marché du Film to serve as an information and promotion point for film professionals interested in Slovak cinema and audiovisual industry. Because of measures to prevent the spread of the COVID-19, the film market will take place exclusively online.

The participants can learn about the new and upcoming Slovak films “in person”, or by means of our updated promotional materials. Be it either the annual classic Slovak Films 19 – 20 catalogue that is best read side by side with the Upcoming Slovak Films online database, or the Report on the Slovak Audiovisual Situationin 2019 published by Creative Europe Desk Slovakia and the special English language issue of Film.sk for wider and more profound contexts.

The presentation of Slovak cinema and audiovisual industry at the Marché du Film is organized & coordinated by Slovak Film Institute, with financial support of the Ministry of Culture of the Slovak Republic, and Slovak Film Commission, organizational unit of Slovak Audiovisual Fund.